
Manual Cinema Presents
Leonardo! A Wonderful Show about a Terrible Monster
Based on the Books by Mo Willems
October 9 – 19, 2025
Run Time: Approximately 50 minutes without intermission
Recommended for Ages 3 and up
Single tickets go on sale September 2025
Accessibility Performance Dates:
TBA
For more information on Accessibility, please click here.

Leonardo is a terrible monster. He tries so hard to be scary, but he just… isn’t. Then Leonardo finds Sam, the most scaredy-cat kid in the world. Will Leonardo finally get to scare the tuna salad out of someone? Or will it be the start of an unlikely friendship? The plot thickens when this pair meets Kerry and Frankenthaler, an even scaredier-cat and her monster friend. Kerry and Sam need to make a big decision: will they just be scaredy cats or can they become friends?
Leonardo! A Wonderful Show About a Terrible Monster uses hundreds of illustrated paper puppets, book pages, two-dimensional props, furry monster puppets, and songs to bring Mo Willems’ books to life. Manual Cinema wanted to re-create the experience of holding one of Mo’s book pages, which are big, bold, colorful, and full of visual rhythm, with a playful use of scale. Like all Manual Cinema productions, you’re invited to watch the big screen like a traditional movie, or to watch the artists below as they create the story in real time. (There is no wrong way to watch the show!)
Manual Cinema is an Emmy Award-winning performance collective, design studio, and film/video production company founded in 2010 by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller, and Kyle Vegter. Manual Cinema combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive stories for stage and screen.
Using vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and live music, Manual Cinema transforms the experience of attending the cinema and imbues it with liveness, ingenuity, and theatricality. The company was awarded an Emmy in 2017 for “The Forger,” a video created for The New York Times and named Chicago Artists of the Year in 2018 by the Chicago Tribune. Their shadow puppet animations were featured in the 2021 film remake of Candyman, directed by Nia DaCosta and produced by Jordan Peele’s Monkeypaw Productions. Recent productions include Leonardo! A Wonderful Show About A Terrible Monster, based on books by Mo Willems, an adaptation of Charles Dickens’ A Christmas Carol, and a revamped production of The Magic City, based on Edith Nesbit’s 1910 novel. In 2023, Manual Cinema completed production on their first self-produced short film, Future Feeling, and toured with folk rock band Iron & Wine the following year.
In Summer 2025, Manual Cinema will premiere their latest feature production for adult audiences, The 4th Witch—a bold and imaginative inversion of Macbeth.
Mo Willems is an author, illustrator, animator, playwright, and the inaugural Kennedy Center Education Artist-in-Residence, where he collaborates in creating fun new stuff involving classical music, opera, comedy concerts, dance, painting, and digital works with the National Symphony Orchestra, Ben Folds, Yo-Yo Ma, and others.
Willems is best known for his #1 New York Times bestselling picture books, which have been awarded three Caldecott Honors (Don’t Let the Pigeon Drive the Bus!, Knuffle Bunny, Knuffle Bunny Too), two Theodor Geisel Medals, and five Geisel Honors (The Elephant & Piggie series).
Mo’s art has been exhibited around the world, including major solo retrospectives at the High Museum (Atlanta) and the New-York Historical Society (NYC). Over the last decade, Willems has become the most produced playwright of Theater for Young Audiences in America, having written or co-written four musicals based on his books.
He began his career as a writer and animator on PBS’ Sesame Street, where he garnered six Emmy Awards (writing). Other television work includes two series on Cartoon Network: Sheep in the Big City (creator + head writer) and Codename: Kids Next Door (head writer). Mo is creating new TV projects for HBOMax, where his live action comedy special Don’t Let the Pigeon Do Storytime! currently streams.
His papers reside at Yale University’s Beinecke Library.


Alan Cid
Bird/Lizard/Large & Terrible Frog

Kristian Espiritu*
Bird/Mouse/Squirrel/Snail

Will McGarrahan*
Toad

Todd McNeel Jr.
Understudy
Frog, Toad, Bird/Lizard/et al

Katie O’Reilly
Understudy
Snail/et al, Bird/Squirrel/et al

Anthony Pires Jr.*
Frog

Tader Shipley
Bird/Turtle/Squirrel/Mother Frog
*Indicates member of Actors’ Equity Association
MOLES

Leigh Barrett
Director

Alex Berg
Sound Designer

David Freeman Coleman
Music Director

Chelsea Kerl
Costume Designer

Saskia Martinez
Props Designer & Scenic Charge Artist

Jenna McFarland Lord
Scenic Designer

Deb Sullivan**
Lighting Designer

Phoebe Singer
Associate Director

Brad Reinking
Choreographer
** Indicates a member of United Scenic Artists Local 829

Fanni Horvath*
Production Stage Manager

Cassie Lebeau
Asst. Stage Manager

Nate Morrissey
A2, Deck Captain

Anika Nayak*
Asst. Stage Manager

Bekah Rudinec
A1/Audio Engineer

Carolyn Saxon
Casting Supervisor

Lawrence Ware
Production Electrician

Marissa Wolf
Wardrobe Supervisor & Costume Shop Manager
*Indicates a member of Actors’ Equity Association

Jaime Aznive
Access Coordinator

Alyse Jessica Clinton
Open Caption Formatter

Takiyah Harris
Director of Artistic Sign Language (DASL)

Cassie Heath
ASL Interpreter

Ember Hope Spera
ASL Interpreter

Jess Meyer
ASL Interpreter

Melissa A. Watkins
In-Show Audio Describer

Jill Robbins
Pre-Show Audio Describer